🎀 μ‹œν•™ 강독 - 3κ°•

🎀 μ‹œν•™ 강독 - 3κ°•

May 01, 2024

μ•„λ¦¬μŠ€ν† ν…”λ ˆμŠ€, βŸͺμ‹œν•™βŸ«, κ°•μ˜μžλ£Œ

2024. 5. 1. μˆ˜μ›μ‹œκΈ€λ‘œλ²Œν‰μƒν•™μŠ΅κ΄€, κ°•μœ μ›

3κ°•. λ“œλΌλ§ˆμ˜ μ—¬μ„― 가지 ꡬ성 μš”μ†Œ(1)

❧ λΉ„κ·Ήμ˜ μ •μ˜

β€œλΉ„κ·Ήμ€ μ™„κ²°λ˜μ–΄ 있고 μΌμ •ν•œ 크기λ₯Ό 가지고 μžˆλŠ” νƒμ›”ν•œ ν–‰μœ„μ˜ λͺ¨λ°©μ΄λ©°, β€– λΆ€λΆ„λ“€μ—μ„œ λ”°λ‘œ μ‚¬μš©λ˜λŠ” 각쒅 μš”μ†Œλ‘œ 예술적으둜 μž₯μ‹λœ μ–Έμ–΄λ₯Ό μˆ˜λ‹¨μœΌλ‘œ ν•˜λŠ”, β€– μ„œμˆ μ˜ 방식이 μ•„λ‹ˆλΌ [λ“±μž₯인물의] ν–‰μœ„λ₯Ό [λ¬΄λŒ€ μœ„μ—μ„œ] μ‹€ν–‰ν•˜λŠ” λ°©μ‹μœΌλ‘œ μ΄λ£¨μ–΄μ§€λŠ”, β€– μ—°λ―Όκ³Ό 곡포λ₯Ό 톡해 λ°”λ‘œ 이 κ°μ •λ“€μ˜ μ •ν™”ζ·¨εŒ–λ₯Ό μ΄λŒμ–΄λ‚΄λŠ” λͺ¨λ°©μ΄λ‹€.”(1449b 24-28)

Halliwell

β€œTragedy, then, is mimesis of an action which is elevated, complete, and of magnitude; in language embellished by distinct forms in its sections; employing the mode of enactment, not narrative; and through pity and fear accomplishing the catharsis of such emotions.”


Samuel Butcher

β€œTragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds of being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions.”


❧ μ—¬μ„― 가지 ꡬ성 μš”μ†Œ

  • κ³΅μ—°μ˜ μž₯식(opsis, spectacular elements, visual adornment). λͺ¨λ°©μ˜ 방식

  • λ…Έλž˜(melopoiia, sing-composition, lyric), 언어적 ν‘œν˜„(lexis, diction, verbal expression). λͺ¨λ°©μ˜ μˆ˜λ‹¨

  • 성격(Δ“thos, character), μ‚¬μœ λ°©μ‹(dianoia, thought). 성격과 μ‚¬μœ λ°©μ‹ β€”> μ„±μ§ˆ(poios) β€”> ν–‰μœ„. λͺ¨λ°©μ˜ λŒ€μƒ

  • ꡬ성(mythos, plot). ν–‰μœ„λ“€μ˜ κ²°ν•©. ꡬ성에 μ†ν•˜λŠ” 것듀: μ™„κ²°μ„±κ³Ό 적정성(7μž₯), 톡일성(8μž₯), μ„±κ²©μ˜ λ³΄νŽΈμ„±, κ°€λŠ₯μ„±, ν•„μ—°μ„±κ³Ό κ°œμ—°μ„±(9μž₯), λ³΅μž‘μ„±(10μž₯), λ°˜μ „, 발견, 고톡(11μž₯). β€œλΉ„κ·Ήμ˜ 원리(arkhΔ“), 즉 λΉ„κ·Ήμ˜ 영혼(psykhΔ“)이라 ν•  수 μžˆλŠ” 것은 ꡬ성이닀.”(1450a 37)


❧ 성격과 μ‚¬μœ λ°©μ‹

  • 성격은 μ‚¬λžŒμ˜ 선택, 즉 κ·Έκ°€ 무엇을 μ„ ν˜Έν•˜κ³  νšŒν”Όν•˜λŠ”μ§€λ₯Ό λΆ„λͺ…ν•˜κ²Œ ν•œλ‹€. μ„ ν˜Έμ™€ νšŒν”Όκ°€ ν¬ν•¨λ˜μ§€ μ•Šμ€ 말은 성격을 보여주지 μ•ŠλŠ”λ‹€. 

  • Herakleitos, β€œμ„±κ²©μ€ μΈκ°„μ˜ 운λͺ…”(Δ“thos anthrōpō daimōn)

  • μ‚¬μœ λ°©μ‹μ€ 이성적인 행동에 ν¬ν•¨λœ 지성적 λŠ₯λ ₯, β€˜μ λ‹Ήν•œ 말’(the suitable)κ³Ό β€˜ν•  수 μžˆλŠ” 말’(the possible)을 ν•˜λŠ” λŠ₯λ ₯. β€œμ •μΉ˜μˆ κ³Ό μˆ˜μ‚¬μˆ μ˜ κ³Όμ œβ€, 19μž₯μ—μ„œ μƒμ„Έν•˜κ²Œ λ…Όλ³€. β€œλ§μ— μ˜ν•΄ μ‚°μΆœλ˜μ–΄μ•Ό ν•˜λŠ” λͺ¨λ“  νš¨κ³ΌλŠ” [μ›μΉ™μ μœΌλ‘œ] μ‚¬μœ [의 λ…Όλ³€] 방식과 κ΄€λ ¨λ˜μ–΄ μžˆλ‹€. 이듀 [μˆ˜μ‚¬μ ] νš¨κ³Όμ—λŠ” 증λͺ…κ³Ό λ°˜λ°•, (μ—°λ―Όμ΄λ‚˜ 곡포와 λΆ„λ…Έ λ“±κ³Ό 같은) κ°μ •λ“€μ˜ ν™˜κΈ°, 그리고 더 λ‚˜μ•„κ°€ [μ–΄λ–€ μ‚¬μ†Œν•œ ν–‰μœ„μ˜] κ³Όμž₯κ³Ό [μ–΄λ–€ μ€‘λŒ€ν•œ ν–‰μœ„μ˜] μΆ•μ†Œκ°€ μžˆλ‹€.”(19μž₯, 1456a 36-1456b 2)

❧ ꡬ성과 μ„±κ²©μ˜ 관계

  • ꡬ성은 νšŒν™”μ˜ 데생과 κ°™λ‹€. 성격 λ¬˜μ‚¬(Δ“thikas)κ°€ 잘 λ˜μ—ˆλ‹€ν•΄λ„ 데생이 잘λͺ»λ˜λ©΄ 쒋은 그림이라 ν•  수 μ—†λŠ” 것과 λ§ˆμ°¬κ°€μ§€μ΄λ‹€. 

  • ꡬ성과 μ„±κ²©μ˜ κ΄€κ³„λŠ” κ°€λŠ₯νƒœ(dynamis)와 ν˜„μ‹€νƒœ(entelekheia)의 κ΄€κ³„λ‘œ μ„€λͺ…ν•  μˆ˜λ„ μžˆλ‹€. β€˜μž‘μš©ν•˜μ§€ μ•ŠλŠ” ν•œμ— μžˆμ–΄μ„œμ˜ 성격’, 즉 κ°€λŠ₯νƒœλ‘œμ„œμ˜ 성격보닀 μž‘μš©(energeia)ν•˜λŠ” 성격, 즉 ν˜„μ‹€νƒœλ‘œμ„œμ˜ 성격인 ꡬ성이 μš°μœ„μ— μžˆλ‹€. 도덕적(성격), 지적(사상) μ„±μ§ˆμ˜ 극적인 ν‘œν˜„μ€ ν–‰μœ„λ₯Ό ν†΅ν•΄μ„œλ§Œ κ°€λŠ₯ν•˜λ©°, ꡬ성은 λ°”λ‘œ μ΄λŸ¬ν•œ ν–‰μœ„λ₯Ό μ‘°μ§ν•˜λŠ” 것이닀. 

🎧 https://www.podbean.com/ew/pb-c38a7-15fe897

🎧 https://www.podbean.com/ew/pb-8t5nd-15fe89e

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