A proposito di Eva
I draw by hand — line art, botanical studies, animal silhouettes — and turn those drawings into files that can be laser-cut or printed in vector form. What drives me is that moment when a flat drawing becomes something physical: a metal panel, a fence, a piece someone hangs on their wall.
Each new set takes real time — sketching, refining lines so they hold up when cut, testing what actually works in metal or wood. Support here means I can spend that time on new styles and subjects instead of only finishing what already sells — right now that's a new black-and-white silhouette series and more laser-cut designs beyond what's already published. Every coffee is basically a vote for "try this next."
Each new set takes real time — sketching, refining lines so they hold up when cut, testing what actually works in metal or wood. Support here means I can spend that time on new styles and subjects instead of only finishing what already sells — right now that's a new black-and-white silhouette series and more laser-cut designs beyond what's already published. Every coffee is basically a vote for "try this next."
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