Soutenir Gavin Graham

My story, particularly my creative one, is deeply rooted in the digital dawn of the 1980s and 90s. Under the name "Gazza", I was an active member of the demoscene, a vibrant, competitive subculture of programmers, artists, and musicians who pushed early home computers like the Commodore 64 and Amiga to their absolute limits. My particular obsession was with their unique sound-chips. I developed a profound affinity for the warm, analogue-like filter sweeps of the MOS6581/8580 SID chip, the raw, buzzing textures of the Atari TIA/Pokey, and the sharp, digital precision of the AY-3-8910. These weren't just components; they were instruments with distinct, often stubborn, personalities.