Paintings Don’t Erase Policy

Paintings Don’t Erase Policy

Jan 25, 2026

How George Bush’s Legacy Lives On Through Immigration and Customs Enforcement

They look at George Bush now

like history has been sanded down—

a grandfather with brushes,

a man who paints cats

as if oil can cover blood.

But I remember his America.

I remember ICE before people pretended

it was invented yesterday.

I remember families folding themselves

under minivans

because someone screamed La Migra

and fear moved faster than thought.

That was policy.

That was design.

That was not an accident of the times.

Before my quinceañera,

people hid.

Before college,

people cried.

Before every election,

people prepared to disappear.

Immigration and Customs Enforcement

was never about safety.

It was about spectacle.

About showing children

what happens when your parents are undocumented.

About making fear contagious

so no one reaches for help.

Now they ask questions

like innocence is possible in a system like this.

Why didn’t the father stay?

Why didn’t the school intervene?

Why didn’t someone grab the child?

Because terror is the point.

Because trauma is the lesson.

Because ICE does not need to deport everyone—

it only needs to be seen.

Paintings don’t erase policy.

And memory is not optional

for those who lived through it.

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