Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features.
Emak-Bakia shows elements of fluid mechanical motion in parts, rotating artifacts showing his ideas of everyday objects being extended and rendered useless. Kiki of Montparnasse (Alice Prin) is shown driving a car in a scene through a town. Towards the middle of the film Jacques Rigaut appears dressed in female clothing and make-up. Later in the film a caption appears: "La raison de cette extravagance" (the reason for this extravagance). The film then cuts to a car arriving and a passenger leaving with briefcase entering a building, opening the case revealing men's shirt collars which he proceeds to tear in half. The collars are then used as a focus for the film, rotating through double exposures.
☛ Directed by Man Ray
☛ Written by Man Ray
☛ Starring: Man Ray, Kiki of Montparnasse (Alice Prin), Jacques Rigaut
☛ Cinematography: Man Ray
☛ Release date: 1926
☛ https://ciprianpurcaru.com/video/emak-bakia-man-ray-1926-cinepoeme/
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